The account places Billy Meier at an ashram in India in 1964, living as a vagabond and carrying an album of roughly eighty photographs of unidentified objects. Some of the images are described as clear discs. A young girl who is said to have gone on to represent Cambodia at the United Nations, given only as Ms Cheng, is named as a witness, and a tutor is named as another. The source states that around a hundred people at the ashram saw the objects for themselves. One frame is described as appearing to contain a hologram.
What is on the record
The record here is thin and the archive should not dress it up. Four claimants resolve from a single video on a single channel. The figure of about a hundred onlookers is that source's claim and not the archive's count, and none of those onlookers is identified. The ashram itself is not named. There is no date beyond the year, no description of the objects past the word disc, and no account of the circumstances in which any photograph was taken.
The photographs are the case, and the archive does not hold them. No image, no negative, no analysis and no document of any kind sits in this entry. The claim that a frame contains a hologram is an interpretation reported at second hand, and the archive treats interpretation as interpretation. A photographic case with no photographs in the file cannot be assessed, only recorded.
Why it sits where it does
The case grades L3, the archive's independent-testimony tier, on the strength of named corroborating witnesses to the images. That grade sits uneasily on a record this bare, since one channel carries the whole of it and no primary material supports it. What is in the album is not resolved here.